Revd Kathryn Evans
Sarum College
Kathryn grew up in Australia where her faith was formed in a Cathedral parish. She fondly remembers the multi-sensory nature of worship from the sounds of organ and singing, the smell of candles and occasional incense, to the colours of the vestments to the smoothness of the wax left in the large candlesticks (collected eagerly by the children after the service). This rich experience of Cathedral worship was balanced by informal, ecumenical gatherings and the singing of choruses was equally formative. As such, she has a passion for focussing on the essence of worship; appreciating the strengths and limitations of each tradition without engaging in the culture wars that often arise to the detriment of worship and fellowship. Kathryn moved to the UK in 2002 when she toured briefly as a soloist with the Sydney Chamber Choir before settling in London, and then Northamptonshire. Ordained in 2019, she lives with her family in Northamptonshire where she is the Rector of three rural parishes. Singing plays a strong part in her ministry, and she still finds it the richest source of spiritual expression, experience, and formation. She recently graduated from Sarum College’s MA in Christian Spirituality. Her dissertation, “‘Sing to the Lord!’ An exploration of the spiritual potential of embodied ritual singing within the Christian Tradition” informs her presentation at this conference. In it, she presents a case for a theology of sung worship arising out of the vocation of Christ’s people participating in God’s redeeming work in the world.
Research
The spiritual potential of liturgical singing in the Anglican Cathedral Tradition: a theological foundation for facing challenges
This research offers a theological grounding for developing the potential of cathedral singing. In connecting theology and practice, I will explore the often-overlooked significance of liturgical singing across the whole biblical tradition to highlight its continuing significance for Christian worship, discipleship and mission. Though closely connected to instrumental music, this research focuses on liturgical singing.
It begins by upholding liturgical singing as an embodied spiritual practice given to us by God within the created order as a means of mediating and enhancing the connection between heaven and earth. It is part of the vocation of Christ’s church as it participates in God’s continuing redemption and restoration of the whole of creation.
Having established this biblical foundation, I will apply it to the opportunities and challenges specific to the music ministry of British cathedrals. A vocational focus offers a way of understanding how participation and diversity can, and indeed should, flourish alongside the maintenance of musical excellence. In areas where there appears to be conflict, there is opportunity for creativity and discernment.
This research draws on my dissertation for Sarum’s MA in Christian Spirituality. It intersects with biblical scholarship, doctrine, church history, and liturgical studies. It fits within a Theology of the Arts, exemplified by Jeremy Begbie and O. David W. Taylor, particularly as they seek to recover biblical aspects of the spirituality of worship. This research builds on this with its particular focus on the significance of singing within the salvation story and its application to areas of challenge for cathedral music.